Sony FX3
Full-frame 4K, dual base ISO 800/12800, 640 g. Handles a dim shop floor and a wedding mandap on the same trip. The body most Jamshedpur jobs start and end with.
- On site in12–24 hrs
We do not have a shop in Jamshedpur. We own the kit and dispatch it from our Ranchi studio — 130 km up NH-33, on 12–24 hours notice, with the crew travelling alongside it. That is also why cinema bodies are available here at all: no rental house in the city stocks a RED, an ARRI or a Ronin 4D. Sony FX3 ₹3,000, FX5 ₹5,000, FX6 ₹6,000, RED Komodo 6K ₹9,000, Canon C500 Mark II ₹7,000, drones from ₹1,500 — and because Jharkhand is green-zone airspace, an aerial shoot across most of the city needs no DGCA flight permission.
There is no Jamshedpur counter to walk into and we are not going to invent one. Everything below is a road run from the Ranchi studio at Main Road — which means the date, not the kit list, is what we need first.
Date before kit list. Ranchi to Jamshedpur is roughly 130 km on NH-33, three to four hours by road, and that road is the whole constraint. We answer with what is genuinely achievable for that date instead of confirming and scrambling.
Kit at the same day rates we charge in Ranchi — no Jamshedpur premium on the equipment. The road run is quoted separately based on kit volume and whether crew travels, and it costs far less per day across a three-day schedule than a single day.
Every body is powered up, sensor-cleaned and firmware-checked at the Ranchi studio before it is cased. Nothing leaves untested, because a dead battery plate 130 km away is not a five-minute problem.
Operator, focus puller, DIT or drone pilot ride with the equipment and stay for the shoot. For multi-day schedules the kit stays in Jamshedpur rather than shuttling — cheaper, and one less road run to go wrong.
Honest limits, stated up front: single-day bookings carry the full road run in the quote, so a one-day hire in Jamshedpur costs more all-in than the same hire in Ranchi. Monsoon slows NH-33 and we build slack in rather than promising a window we cannot hold. And the flagship tier — Alexa Mini LF, Venice 2 — comes from the Delhi side of the fleet, so it is a two-to-three day lead, not a next-morning one.
Same fleet, same day rates as Ranchi — no Jamshedpur premium on the equipment itself. Every body is powered up, sensor-cleaned and firmware-checked before it is cased for the run.
Full-frame 4K, dual base ISO 800/12800, 640 g. Handles a dim shop floor and a wedding mandap on the same trip. The body most Jamshedpur jobs start and end with.
NEW. 5K full-frame stacked sensor, Open Gate, internal 16-bit X-OCN. Book it when the footage will be regraded or reframed rather than cut straight.
The corporate-film default. Dual base ISO, 10-bit XAVC-I, all-day battery. Pairs with an FX3 as B-camera so interviews do not need relighting between setups.
Global shutter and REDCODE RAW. On plant, machinery and anything rotating, global shutter removes the rolling-shutter skew that makes industrial footage look wrong.
6K up to 80fps, global shutter. The higher-frame-rate option for commercials and music videos shot around Jamshedpur.
Full-frame 5.9K with internal Cinema RAW Light and Dual Pixel autofocus. The easiest body on a small crew for long-form and documentary.
Camera and 4-axis gimbal in one body, ProRes RAW. One person gets a moving shot without a separate gimbal, a separate operator and a calibration argument.
Super-35, XAVC-S-I. The sensible second body when you need coverage rather than another hero camera.
Low-light hybrid, 4K 120fps. Weddings, events and anything shot after dark on available light.
12K BRAW with headroom to crop and reframe. Product and detail work where one setup has to yield several frames.
Large-format 4.5K, ARRIRAW and ProRes. Available in Jamshedpur, but dispatched from the Delhi side of the fleet — budget two to three days from confirmation, not 24 hours.
Not listed here but available on the same run: Sony FX9 (₹10,000), Sony Venice 2 (₹40,000, Delhi-side lead time), Zeiss CP.3 (₹4,000/day set), Sigma Cine FF Art (₹3,750), Atlas Orion 2x anamorphics (₹7,500), DJI RS3 and RS4 Pro gimbals, Tilta Nucleus-M, SmallHD monitors and Aputure lighting up to Skypanel scale. See the full Ranchi and Delhi inventory or the cine lens catalogue.
This is the part of the job that is genuinely easier in Jharkhand than in Delhi. Green-zone airspace means a commercial aerial can be added to a shoot at short notice instead of being planned a fortnight ahead around a permit.
Triple camera, 5.1K/50fps, 43-minute flight. The corporate and industrial-film workhorse — establishing wides over a plant, township or campus.
Dual camera — 1-inch wide plus 3x tele — so you get the wide and the compressed detail in one flight. Real estate, townships and site progress.
Under 249 g, so permit-exempt anywhere in India regardless of zone colour. The one that flies when the paperwork or the location is uncertain.
4/3 Hasselblad recording Apple ProRes 422 HQ internally. Book it when the aerial has to intercut with graded cinema footage.
377 g FPV, 4K 60fps 10-bit, up to 97 km/h. Interior chase and reveal moves through a shop floor or a venue that a conventional airframe cannot fly.
8K full-frame, ProRes RAW and CinemaDNG. The aerial tier for a TVC or a feature. Give extra notice — it is the one drone we do not keep idle.
Most of Jharkhand, Jamshedpur included, is green-zone airspace under the Digital Sky framework. For a commercial shoot below 400 ft that means no prior permission and no waiting. In Delhi NCR the same flight is yellow-zone and needs an NPNT clearance filed 7–14 days ahead. This is the single biggest reason a Jharkhand aerial shoot is easier to schedule than a Delhi one.
Airframes still need to be DGCA-registered with a valid UIN, and pilots still need a current remote pilot certificate — except for nano airframes under 249 g such as the Mini 4 Pro. Ours are registered and our pilots are certified, and we hand over the paperwork if a site or an insurer asks for it.
Sonari airport sits inside Jamshedpur, and the airspace around it is not green. A shoot in that radius gets treated separately and we check the Digital Sky map against your exact location before quoting rather than after. Red-zone flights near airports and military installations are refused outright — there is no permit for those.
Clear airspace does not give you permission to stand where you want to stand. Tata-managed industrial areas, plant perimeters and private townships run their own security regime, and that access is your production to arrange with the site. We fly where you are cleared to be; we will not talk you into flying where you are not.
Pilots travel with the airframe at ₹5,000 per day, or ₹8,000 for a dual-operator rig where a second person runs the gimbal independently of the flight path. For the contrast, see how the same shoot is handled in yellow-zone Delhi NCR, where the permit is the long pole, not the kit.
Four shapes of job cover most of what comes out of the Kolhan belt. Each one has a sensible default kit — start there and change one thing rather than speccing from scratch.
Jamshedpur runs on the Tata group companies and the vendor ecosystem around Adityapur and the AIADA belt, and that is where the steady non-wedding work is. FX6 as A-camera and FX3 as B-camera covers most of it. On machinery, rotating equipment and anything fast-moving, take the RED Komodo instead — global shutter, no skew. A Mavic 3 Pro adds the establishing wide over a plant or campus with no permit wait. Site and plant access is yours to arrange; the kit and crew are ours.
The A7S III at ₹2,250 and the FX3 at ₹3,000 are the pairing — both hold up in a low-light mandap or a reception hall without dragging lights everywhere. The Ronin 4D at ₹4,500 gets a genuinely moving shot with one operator, which matters when the venue is crowded. Drone rules help here too: no permit means an aerial can be added late instead of planned a fortnight out.
Jharkhand, Bhojpuri and Hindi music-video crews book the RED Komodo or Komodo-X for high-frame-rate work, usually with a prime set rather than a zoom. Our kit has shot Haryanvi, Punjabi and Bhojpuri releases, and the same bodies go out here. Lens sets travel with the body — Zeiss CP.3 at ₹4,000 per day, Sigma Cine FF Art at ₹3,750, Atlas Orion 2x anamorphics at ₹7,500 for the widescreen look.
Canon C500 Mark II at ₹7,000 with Dual Pixel autofocus is the small-crew choice for multi-day shooting. We have supplied kit for OTT docuseries across Jharkhand, so the paperwork side — invoices, serial numbers, an insurance schedule a commissioner will accept — is already routine rather than something we work out on your booking.
Our kit has shot national ad films including Policy Bazaar, Walkaroo · Mr. Kadam and Vega DCUT, a Delhi indie feature on anamorphic, Haryanvi, Punjabi and Bhojpuri music videos, and OTT docuseries across Jharkhand. Crew is optional and priced separately — operator ₹4,000 per day, focus puller ₹3,000, DIT ₹3,500. If you want a full production team rather than dry hire, see ad shooting and photography.
No, and we would rather say so than pretend otherwise. We have no premises and no counter in Jamshedpur. The kit is ours and it lives at our Ranchi studio on Main Road, about 130 km away up NH-33 — roughly three to four hours by road. We dispatch to your Jamshedpur location on 12–24 hours notice and the crew travels with the equipment. In practice that is why cinema bodies are available in Jamshedpur at all: no rental house in the city stocks an ARRI, a RED or a Ronin 4D, so the choice is a road run from Ranchi or a flight case from Kolkata.
Day rates are the same as Ranchi — we do not add a Jamshedpur premium on the kit. Sony FX30 and A7S III ₹2,250, Sony FX3 ₹3,000, DJI Ronin 4D ₹4,500, Sony FX5 ₹5,000, Sony FX6 ₹6,000, Canon C500 Mark II ₹7,000, Blackmagic URSA Cine 12K ₹8,000, RED Komodo 6K ₹9,000, Sony FX9 ₹10,000, RED Komodo-X ₹12,500, ARRI Alexa Mini LF ₹22,500. Drones run ₹1,500 to ₹12,500. What is extra is the road run: transport is quoted per booking based on the kit volume and whether crew travels, and it is cheaper per day on a multi-day schedule than on a single day. Ask for it as a line item and it will be in the written quote.
12–24 hours for the core fleet — FX3, FX5, FX6, FX30, RED Komodo, Canon C500 Mark II, Ronin 4D, the CP.3 lens set and the commercial drones. Those sit at the Ranchi studio and can be tested, cased and on the road the same evening for a next-morning call sheet. The premium tier is slower: an ARRI Alexa Mini LF or a Sony Venice 2 has to come across from the Delhi side of the fleet first, so budget two to three days from confirmation. If your dates are tight, tell us the date before the kit list and we will say plainly what is achievable rather than confirming and scrambling.
For most of Jamshedpur, no. Jharkhand is largely green-zone airspace under the Digital Sky framework, which means no prior flight permission is needed for a commercial shoot — a real practical advantage over Delhi NCR, where yellow-zone clearance takes 7–14 days. Two caveats we check before quoting. First, Sonari airport sits inside the city, and the airspace around it is not green, so a shoot in that radius is treated separately. Second, green-zone airspace is not the same as permission to be on the ground: the Tata-managed industrial areas and plant perimeters have their own security regime, and that access is your production to arrange with the site. Airframes are DGCA-registered with valid UINs and pilots carry current certificates either way.
A Sony FX6 at ₹6,000 is the honest default — dual base ISO handles a dim shop floor, 10-bit XAVC-I grades fine, and it runs all day on a single operator. Pair it with an FX3 at ₹3,000 as the B-camera for interviews so you are not relighting between setups. If you are shooting machinery, rotating equipment or anything with fast motion, book the RED Komodo 6K at ₹9,000 instead: the global shutter removes the rolling-shutter skew that makes plant footage look wrong. For long-form or a documentary cut, the Canon C500 Mark II at ₹7,000 with Dual Pixel autofocus is easier on a small crew.
Yes — that is the whole reason this page exists. No rental house in Jamshedpur stocks either. RED Komodo 6K (₹9,000) and Komodo-X (₹12,500) are at the Ranchi studio and reach you on 12–24 hours notice. The ARRI Alexa Mini LF at ₹22,500 and the Sony Venice 2 at ₹40,000 are dispatched from the Delhi side of the fleet, so give two to three days. Large-format bodies need glass that covers the sensor, so book the lens set in the same conversation — Zeiss Supreme Primes at ₹11,000 per day, or Sigma Cine FF Art at ₹3,750 if the budget is set at a Jharkhand number rather than a Mumbai one.
Both work, but for Jamshedpur we usually recommend wet. Dry rental — kit only — is the default and the cheapest option if you already have a crew. The problem is that Jamshedpur has very few people who have run a RED or an Alexa, so a dry hire can end with an expensive body being used as an expensive handycam. Crew travels with the kit: operator ₹4,000 per day, focus puller ₹3,000, DIT ₹3,500, drone pilot ₹5,000, dual-operator drone rig ₹8,000. Our kit has shot national TVCs including Policy Bazaar, Walkaroo and Vega, and OTT docuseries across Jharkhand.
Yes — the run from Ranchi passes through or near most of the Kolhan belt, so Jamshedpur proper (Bistupur, Sakchi, Kadma, Sonari, Golmuri, Telco, Jugsalai), Mango, Adityapur and the AIADA industrial area are all the same 12–24 hour window. Ghatshila and Chaibasa sit further out and are better booked with a day of slack, especially in monsoon when NH-33 slows down. For a multi-day schedule anywhere in the belt the kit and crew stay with the shoot rather than shuttling, which is both cheaper and less risky than a daily run.
A refundable security deposit is standard, typically 50–100% of the kit replacement value depending on the kit and your rental history. Bank transfer, UPI or an authorised credit-card hold; returned same day after the kit is back and inspected. A 50% advance confirms the booking, balance on delivery day. For cover, either use your own production insurance rider — we supply invoices and serial numbers for the schedule — or take our in-house cover at 2–4% of rental value per day, which includes transit loss. Given the kit travels 130 km each way for a Jamshedpur job, transit cover is worth taking rather than skipping.
Send the shoot date and the location first, then the kit list. We reply with what is actually achievable on that date and a fixed written quote — kit, crew and the road run as separate line items — usually within two hours during business hours. A 50% advance confirms it.
The same kit serves the rest of Jharkhand — Dhanbad, Bokaro, Hazaribagh, Deoghar and Ramgarh — on the same dispatch basis from our Ranchi studio. Shooting in the capital instead? See camera on rent in Delhi NCR.